What kind of typeface is used on sublime album covers

The Garamond typeface we know today has many variations, designed by different typeface designers inspired by the original punch cuts designed By Claude Garamond in the 16th Century. Regardless, the Bodoni typeface has its own style. Bodoni has a lot in common with the Didot family of typefaces because it was created around the same time in history.

It has resonated through time in famous logos and has been a favourite of many fashion brands and upmarket magazines, for example Vogue, Calvin Klein, Burberry and Elizabeth Arden. The Bodoni typeface has been largely used for display and for headings due to its timeless style. Since its inception, it has undergone many modifications and changes, but is still reminiscent of the original serif created by Bodoni. This modern typeface is characterised by its elegance and flexibility, and it remained the most popular type until the mid 19th Century. Bodoni was widely applied in the fashion industry and print media, therefore using the serif font was a mark of its time. The serif superfamily usually dominates the world of print, as it has been labelled easy to read. He was famed for moving away from the traditional calligraphy style that dominated the print press business to create a rather modern typeface, now called Bodoni. Giambattista was hailed as the King of Printers when he took over the family printing business. The Bodoni font family dates back over two centuries to its founder, Giambattista Bodoni (1740вЂ“1813), who ruled the world of print publishing in the late 1700вЂ™s. The Bodoni typeface surfaced during a time when type designers were experimenting with the contrast between thick and thin type characteristics.

What kind of typeface is used on sublime album covers